25 September 2015

An Aesthetic

What would my design philosophy look like?

I wish we had tools and resources that invited us to play with them, to joyfully discover new possibilities with them. So I very much favor form and function over strict utilitarianism, strict minimalism, or strict anything for that matter.

In my aesthetic universe, beauty is a reward for everyone who encounters it and harmonizes with its expression. Of course we don't all agree about what is beautiful. If we did agree, what would we deem "art," and what would we not categorize as art? Surely not only works that are aesthetically pleasing, and surely not exclusively works that are disturbing or perturbing, shocking or simply unexpected.

I like things that tell you how to use them, or that fulfill a need I hadn't thought of but wished I had. When Apple makes iTunes unfathomable to someone who hasn't been steeped in Apple's design and user experience world for decades, I feel a sort of double betrayal. I feel the "You said this was going to be easy" whine pushing me downslope as if I was trying to climb up scree so loose I wound up churning my legs and landing below where I'd started. Apple products all looks so clean and so good but sometimes you can't find what you need on those smooth, blank surfaces.

Color makes my world go around (or 'round, more musically speaking). I can think of no reason I would not wear or use fabrics and paints in bold, vibrant colors. Color adds something unique to the atmosphere. Perhaps you could get some of the same benefits from a constant parade of fresh flowers arranged everywhere. I remember feeling shock at the beauty of the tall, dramatic, gladiola-centric bouquets artfully arranged throughout my grandfather's formal dining room and living room because I knew they seldom used those spaces and most people hardly saw them. Did they receive the same kind of arrangements through the winter? I'm sure their florist provided them with seasonally appropriate bouquets, but how many people enjoyed their bright colors? So I share the wealth and try to dress colorfully, to cheer up me and everyone else around me.




04 September 2015

The Body Remembers, But Does the Self Know What to Do Next?

 “In order to change, people need to become aware of their sensations and the way that their bodies interact with the world around them. Physical self-awareness is the first step in releasing the tyranny of the past.”
― Bessel A. van der Kolk, The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma

For a couple of months, it has felt to me like there is something wedged somewhere in the vicinity of my collarbone and jaw. I just now checked in with that feeling and said “Aha! That’s your throat!”

Hm. I feel I have something stuck in my throat.

“Duh,” says the university-trained literary critic. (Smarty-pants. She can’t help herself.)

Today’s writing prompts were a Facebook post with the above quote from Bessel A. van der Kolk about how awareness of what’s going on in the body is a tool for healing trauma in our pasts, and a Dear Sugar radio episode featuring a query from a wounded mother of a young child.

So I check in with my body.

Three things call to me right now. OK, four. I’ll start at the top with a headache. I woke up with an achy head that is just now beginning to feel a little less like a sack of concrete I am carrying on top of my forehead. Oh, who am I kidding? Not me, apparently, as I notice that the pain has settled into my left sinus.

Then there’s this hinky jaw-to-clavicle thing. It’s making me feel halting and restricted.

My right palm (on my space-bar hand) complains, deep in the pad at the junction of my thumb and its hand.

And I have a knee injury (official diagnosis: IT band syndrome) I am just starting to rehabilitate.

So not only do I feel a bit unsteady on my pins, but I’m also experiencing pain in the areas associated with talking and writing and thinking.

That assessment makes me check, and feel again: Where am I not feeling pain?

My heart feels good, warm, safe, and surrounded by loving beings, including me (a slightly fearful being of late but deeply loving, and lovable). My bum feels fine, thank you very much. My feet feel solid on the floor. My strong thighs feel like camshafts, ready and able to execute my brain engine's directives. My ankles are happy and my back feels neutral and relaxed. My waist curves in at one of my body’s crucial boundaries, a spot I feel protective of and pleased with all at once.

At the same time the literary critic goes to town on deconstructing my physical self, I also remind my emotional, Id-ish self not to draw too many big conclusions from small details. Not to make grandiose pronouncements given my limited temporal and psychic understanding. (I come by that honestly, my compassionate self says. There, there.)
 

Cheryl Strayed and Steve Almond's discussion of the unmothered mother's letter and conversation with her Portland writer friend Renee was another great reminder that so many of us have experienced terrible interruptions in our care and betrayals of our innocence. When I talk to my teenager these days, I sometimes say, "Don't do something you'll regret, especially if it's something you can't undo." I feel some things were done to me that can't be undone, but somehow being able to say this is again freeing and releasing. Because I said it, again, and will you look at that! The Universe didn't throw any lightning bolts at me, nor turn me into a pillar of salt.

But now what do I do with it all? “What’s next?” as van der Kolk asks in his book.

Do I go back to bed and try to sleep off the headache?

Do I push through the headache into the list of chores for the day (make another coffee, eat, cook, gather gear for the weekend, and clean)?

Do I go to my dance class in an hour and try not jumping and traveling — just exercising my upper body?

My first instinct is to write, so here I am.

But (true confession) between when I started this piece and now, I had a cleaning impulse, so I hung and reorganized a few things in my closet. I’m starting to think I don’t need as many things as I used to think I needed, which is a relief and a burden, the latter because the process of getting rid of things is an effort. It is many efforts over time.

In the midst of the closet and the writing creeps in the fear of “not doing enough about the future.”

Then I pulled a hanger out of the handful I was relocating in my closet and saw that I had assembled a beautiful and complete outfit that I hardly ever wear.

Lots of people tell me that Marie Kondo’s method of decluttering has you ask yourself about each of your things, “Does this thing bring me joy when I see it?”

For me the answer is seldom simple.

Yes I feel joy because of the colors of the fabrics and the other materials, and because of the completeness and elegance of the outfit. I remember finding the dress while shopping on Berkeley's 4th Street at a clothing outlet in a happy moment of freedom and independence. When I feel something other than joy it is because of the way the items fit me (the slip isn’t all that comfortable, and the jacket is just a little too short for my torso).


But I learned something from this outfit. The fact that it was 20 years between when I bought the dress and found a slip for under it and a jacket for over it told me I should avoid buying anything I can't wear as is. Clothing that requires more clothing is seldom smart and results in garments that occupy space in my closet for years, unworn, while I say, "Hmm, I wish I didn't have to wear tights and a camisole under that."

Then I thought: What if I put together outfits and sold those? I guess that is what those glossy fashion magazine stylists do. I can understand why that is a coveted and rare job, but so many of us are good at combining what we have and assembling something more beautiful than the apparent sum of its individual elements. More than just Vogue employees are doing this every day.

I suppose this is what we do when we write, too. We make meaning out of a bunch of individual symbols (“signifiers,” we called them in lit-crit school). And it is what we do when we live. We take the animal shell we are given and fill it with ourselves, and then we use the whole animal-and-self being to love, play, learn, work, give, show -- all those things that make our lives and maybe even others' lives more meaningful or more loving or more delicious or more beautiful.

So it is now time to feed this body some food, drink more water, and make a coffee with coconut oil in it. I don’t want to do too much but I don’t want to do too little, either. I am going to hang a few things up, pack a few things, and cook a couple of delicious things for later. I will do my exercises and contemplate what healing looks like, and feels like.

“More to be revealed,” as my mother loves to say.

“More soon,” I always concur.